OT:Advice on Sonnheiser MKE-300

MarcS wrote on 8/3/2004, 9:51 AM
I decided to purchase a shotgun mike for my Sony DCR VX2000 camera. My usage is for home/prosumer work and the posts in this forum seemed to recommend this mike as a good mid-level unit.

Can anyone recommend the best way to work with these shotgun mikes? The gain is very strong and when I tried using it with the autogain in the camera the signal was loud and it appeared to accentuate a lot of noise during silent moments. Does one use it with manual gain controls instead?
Or does one use autogain and try to reduce the noise in Vegas or SF?

Also, I tried looking at some of the minimounts....they're more expensive than the $170 microphone. Any suggestions or recommendations.

Thanks. I understand audio is a very untamed beast and that I'm asking novice questions. I also acknowledge that it's best to mike things up close. In practice though my family already is tortured by my video work and adding more devices off camera would be a source of extra pain for them and me.

Thanks,

MarcS
www.clayeyecenter.com

Comments

Grazie wrote on 8/3/2004, 11:39 AM
Hiyah! Do you know this WebSite?

http://www.dvinfo.net/conf/index.php?s=

DVinfo is great for all types of cameras and mics and stuff. You'ev even got a VX2000 where a lot of conversation IS about the Sennheiser MKE-300. Register and get some great Sony VX2000 advice.

Give it a go.

Grazie
corug7 wrote on 8/3/2004, 12:18 PM
Ahh! You are using my setup! By all means, turn off the auto levels, especially when working indoors, and use the audio levels monitor. The MKE-300 is a great mic for the money.

Corey
MarcS wrote on 8/3/2004, 12:43 PM
Thanks for the advice...

Corey, I believe your posts were the ones that finally lead me to get the MKE-300. Thanks... I just received it last night and found the AGC volume to be very robust but noisy...

How do you determine what level of manual gain to set...particularly if there are different sources of audio? I am a bit remiss to roll the roll the audio wheel a lot as I don't want to jar the camera and get extra noise during filming.

Also, do you find a shockmount a necessity? They seem very expensive.

Regards,

Marc Safran, MD
msafran1@twcny.rr.com